Biography

Andrea Joyce Heimer’s paintings unfold like narrative friezes, with landscapes and interiors divided into sections that each capture a distinct moment in her figures’ lives. Her work delves into themes of origin—whether of the universe or of storytelling itself—reflecting her own search for clarity about her beginnings. Heimer’s intricate compositions blend symbolic figures and iconography, weaving references to the Garden of Eden, Greek mythology, and her own deeply personal mythologies. These vivid visual narratives are paired with diaristic, confessional titles, offering an intimate glimpse into the artist’s world. Rendered in a flat, paper-doll-like style, her work evokes both a sense of playfulness and profound introspection.

 

Andrea Joyce Heimer (b. 1981, Great Falls, MT, US; lives and works in Ferndale, WA, US) received her MFA from the New Hampshire Institute of Art in Manchester, New Hampshire. Her work will be the subject of a forthcoming solo exhibition at the Northwest Museum in Spokane, WA, US, and has been exhibited at the Bemis Center, Omaha, NE, US; CICA, Vancouver, BC; the Whatcom Museum, Bellingham, WA, US; Missoula Art Museum, Missoula, MT, US; Nino Mier Gallery, Los Angeles, CA, US; Kasmin Gallery, New York, US; Nicelle Beauchene Gallery, New York, US; Colombo Gallery, Milan, IT; Half Gallery, New York, US; CG2 Gallery, Nashville, TN, US; Linda Hodges Gallery, Seattle, WA, US; Pennsylvania Academy of Fine Art, Philadelphia, PA, US; Andrew Edlin Gallery, New York, US and Franklin Parrasch Gallery, New York, US. She is a recipient of the Joan Mitchell Foundation award and a finalist for the Betty Bowen Award.

Works
  • Alone With Our Reflections At 100 Lakes
    Andrea Joyce Heimer
    Alone With Our Reflections At 100 Lakes , 2024
    Acrylic and pencil on panel
    60 x 80 in
    152.4 x 203.2 cm
  • Crone's Nest On The Beach With Danger Surrounding
    Andrea Joyce Heimer
    Crone's Nest On The Beach With Danger Surrounding, 2024
    Acrylic and pencil on panel
    40 x 30 in
    101.6 x 76.2 cm
  • I Pass Through Threshold After Threshold, Often Feeling Like A Person Lost Or In Darkness, Sometimes With The Flicker Of A Candle To Light The Next Passage, Sometimes With Smoke Hiding It Away
    Andrea Joyce Heimer
    I Pass Through Threshold After Threshold, Often Feeling Like A Person Lost Or In Darkness, Sometimes With The Flicker Of A Candle To Light The Next Passage, Sometimes With Smoke Hiding It Away, 2022
    Acrylic on panel
    40 x 60 in
    101.6 x 152.4 cm
  • Me, Alone in The Florida Swamp With My Echo
    Andrea Joyce Heimer
    Me, Alone in The Florida Swamp With My Echo , 2024
    Acrylic and pencil on panel
    40 x 30 in
    101.6 x 76.2 cm
  • Bar Fight At The Iron Pine. I Could Also Call This ‘Fight For My Love (Or Don’t You Son Of A Bitch).
    Andrea Joyce Heimer
    Bar Fight At The Iron Pine. I Could Also Call This ‘Fight For My Love (Or Don’t You Son Of A Bitch)., 2023
    Acrylic and oil pastel on panel
    18 x 24 in
    45.7 x 61 cm
  • In The Cloud Nine Apartments, We Each Live Alone. We Look For Ourselves In Every Reflective Surface. We Hear Each Other Through The Walls
    Andrea Joyce Heimer
    In The Cloud Nine Apartments, We Each Live Alone. We Look For Ourselves In Every Reflective Surface. We Hear Each Other Through The Walls, 2024
    Acrylic and pencil on panel
    30 x 40 in
    76.2 x 101.6 cm
  • Sometimes I Look At Fireworks To Feel Something, But Even This Small Pleasure Is Destructive Of Course, And Yet
    Andrea Joyce Heimer
    Sometimes I Look At Fireworks To Feel Something, But Even This Small Pleasure Is Destructive Of Course, And Yet, 2024
    Acrylic and pencil on panel
    36 x 48 in
    91.4 x 121.9 cm
  • The Life Cycle Of My Beautiful Cousin Who I Admired's Marriage Started With A Barn Wedding In The Montana Badlands And Spun Through Children, Despair, Suicide, And Eventually Her Death And I Miss Her Miss Her Miss Her.
    Andrea Joyce Heimer
    The Life Cycle Of My Beautiful Cousin Who I Admired's Marriage Started With A Barn Wedding In The Montana Badlands And Spun Through Children, Despair, Suicide, And Eventually Her Death And I Miss Her Miss Her Miss Her., 2023
    Acrylic on panel
    80 x 60 in
    203.2 x 152.4 cm
  • Getting Dressed In The Dark Again
    Andrea Joyce Heimer
    Getting Dressed In The Dark Again, 2023
    Acrylic and oil pastel on paper
    33 3/8 x 47 1/8 x 1 1/2 in
    84.8 x 119.7 x 3.8 cm
  • Drinking Alone
    Andrea Joyce Heimer
    Drinking Alone, 2023
    Acrylic and oil pastel on paper
    33 1/8 x 25 5/8 x 1 1/2 in
    84.1 x 65.1 x 3.8 cm
  • Cowboy Cousins Hunting Pheasant
    Andrea Joyce Heimer
    Cowboy Cousins Hunting Pheasant, 2023
    Marker/oil pastel on paper
    33 1/4 x 47 in (framed)
    84.5 x 119.4 cm (framed)
  • Bluebells With Cat Skull
    Andrea Joyce Heimer
    Bluebells With Cat Skull, 2023
    Acrylic, oil pastel, and charcoal on paper
    33 1/2 x 26 in (framed)
    85 x 66 cm (framed)
Exhibitions
Art Fairs